Eighteenth Annual Ten-Minute Play Festival
Welcome to the Festival
Thank you. This Festival is about to begin because of you, and in honor of Theatre Odyssey’s mission, though we are deeply appreciative, I will be brief.
Anyone who has read “The Gift of the Magi”—or “The Tell Tale Heart” or “The Lottery”—knows how unforgettable a short story can be. So it is long past time for us to give greater respect for short plays and celebrate them as equally memorable as their full-length cousins. To give a platform for writers to earn exactly that respect, to bring the short dramatic form centerstage, was why the founders created Theatre Odyssey in 2006. If one-act plays both long and short could be compelling why was there no company dedicated to their production and to supporting writers of them, of all ages, especially the next generations?
“Because it won’t work,” was what they were told. “Audiences don’t want to go to short plays, they are not commercially viable, they don’t provide meaty enough meals for the audience and performers.” Tom Aposporos, one of the founders (along with Larry Hamm) said that the naysayers seemed to outnumber those who felt the idea would fly. Until they opened their first season, and sold out the houses. Now eighteen successful seasons and well over 200 plays later, Theatre Odyssey has not only grown as the only regional home for new short form plays, but this Ten-Minute Festival and all of TO’s programming are on the national theatrical radar, according to Gary Garrison, the former Executive Director of the Dramatists Guild and a leading proponent of the short form, especially ten-minute plays (he has literally written the book on it, as they say).
I have known Gary since we worked together at NYU Tisch School of the Arts, and when I was asked to be production manager and dramaturg for this season’s Ten-Minute Play Festival, I thought—well, who better to adjudicate and come work with these Florida writers of all levels of experience, than Gary, who also refused to listen to those critical of the format, and instead championed it as a cornerstone of the modern theatrical landscape.
This season, we hosted an exciting workshop with Gary, and he is graciously participating in a Q and A about the benefits and pitfalls of the short form after Friday night’s performance: “We Will Be Brief.”
We are so grateful that you are here to support and celebrate this unique event, and ask that you consider renewing or becoming a Theatre Odyssey subscriber and supporter to continue this great legacy. Enjoy these wonderful eight plays, covering the entire range of emotions and themes, from writers all over Florida, plus an encore of this season’s winning Student Ten-Minute Play, fittingly titled A Matter of Time. Here we go…
We Will Be Brief
A Q&A session with Gary Garrison
Author of A More Perfect Ten: Writing and Producing the Ten-Minute Play
Saturday, May 13, following the performance
For the last 30 years, Garrison’s professional work and creative life have centered on being a playwright, educating and nurturing playwrights, and administrating a variety of playwriting organizations, educational programs, and theatre companies that promote dramatists and the development of new plays. In 2014, The Kennedy Center for the Performing Arts instituted the National Gary Garrison Ten-Minute Play Award given to the best ten-minute play written by a university dramatist.
CLICK ON THE TITLES BELOW TO OPEN A PAGE FOR EACH PLAY.
by Risa Lewak
Adam wants to break up with Eve in the Garden of Eden.
Director: Ken Basque
Adam — Joseph Klens
Eve — Tahlia Chinault
Joseph Klens (Adam) is locally born and raised and a graduate from Rollins College in Winter Park where he studied first saxophone performance, expanded his skillset to include voice and other woodwinds, then shifted focus to music composition and creative writing. While at Rollins he joined Phi Mu Alpha Sinfonia. He worked crew at Venice Theatre’s production of Xanadu and has been on the stage performing in some way most of his life.
Tahlia Chinault (Eve) —You’ll recognize Tahlia’s unique face, even if you’re still uncertain just how to pronounce “Tuh-lee-ah” (you just sounded it out right there, didn’t you?). In her last round of shows with Theatre Odyssey, she not only had the opportunity to flex her Directorial Wings, but also the distinct privilege of jumping into her own show and getting to play alongside one Chuck Conlon — an actual Angel whose presence is still palpable in the quiet of the wings. She’d like to thank Ken Basque for letting her come play in the Garden with Joseph, and for coaching the cringe out of her off-colour comedic impulses.
Ken Basque (director) Originally from Fitchburg, MA, Ken has previously directed for Theatre Odyssey’s Student Ten-Minute Play festival. Ken has been active as a performer on many local stages and is thankful for the opportunity to once again work with new material and this great group of writers, directors, performers and crew.
Risa Lewak (playwright) is a former television writer and author of the satirical college admissions guide: Don’t Stalk the Admissions Officer (Random House). She wrote for the former Nickelodeon website: www.nickmom.com. In her spare time she cooks, plays tennis and yells at her kids (not necessarily in that order).
by Keith Whalen
Lillian, a self-absorbed actress obsessed with achieving fame and success, meets Cliff, an unassuming poetry teacher, for a first date. When a film director starts directing the action, her life follows a very different journey than she expects.
Director: Ken Basque
Cliff — Rik Robertson
Lillian — Sue Bachman
Director — Eric Henry
Rik Robertson (Cliff) has been seen in multiple local productions over the last 15 years, most recently in God’s Country at Venice Theater. As always, love and gratitude to Allyson.
Susan Bachman (Lillian) — Delighted to be a supporter of new original theatre, Sue returns to Theatre Odyssey after appearing in Sign Here for All That Remains, voted Best Play in last year’s Ten-Minute play festival. She is an active member of the Sarasota Area Playwrights Society, as well as the Arts Alliance Playreaders. She relocated to the area in 2021 from Colorado, where she had been a longtime character actor and playwright.
Eric Henry (Director) has been a community-theater set designer, master carpenter and on-stage performer for nearly two decades. On-stage roles have ranged from Shakespeare to Stoppard; recent credits include Arsenic and Old Lace, The Diary of Anne Frank, Dial M for Murder and The Miracle Worker.
Ken Basque (director) Originally from Fitchburg, MA. Ken has previously directed for Theatre Odyssey’s Student Ten-Minute Play Festival. Ken has been active as a performer on many local stages and is thankful for the opportunity to once again work with new material and this great group of writers, directors, performers and crew.
Keith Whalen (playwright) — Keith’s plays have been produced across the country and internationally. His play White Angel won Best Play in Theatre Odyssey’s Sixteenth Annual Ten-Minute Play Festival, and his play Youth for Dark won Best Play in the Tales from the Brookside Festival and was a semifinalist in the 46th Annual Samuel French Off Off Broadway Short Play Festival. His play Exophilia has been chosen as an Official Selection of the short play division of the 2023 Lanford Wilson New American Play Festival. Keith is a proud member of The Dramatists Guild.
by Paul J. Donnelly
Archie’s attendance at Margaret’s mother’s wake takes a surprising turn..
Director: Katherine Michelle Tanner
Margaret — Annette Brezeale
Archie — Steven Black
Annette Brezeale (Margaret) has been on stage in every theatre in the area and behind stage as a production creative in most most of them. She has been Prop Artisan Manager at the Westcoast Black Theatre for the past eleven years. A Graduate of The City and Guilds of London College Annette developed a passion for all things theatrical. I’m thrilled to be performing again with Theatre Odyssey. It’s been too long.
Steven Black (Archie) graduated from Otterbein University outside of Columbus, Ohio, and made his way to New York City. As an actor, Steve has appeared Off-Broadway, in daytime television, films, industrials and multiple theatrical tours. Most recently, Steve performed as Sheriff Heck Tate in To Kill a Mockingbird at Venice Theatre. Steve has twice directed for Theatre Odyssey and is now thrilled to be a part of the acting troupe in the beautiful Cook Theatre.
Katherine Michelle Tanner (director) is an actor, playwright, singer, director, filmmaker, choreographer, photographer and teaching artist. She is best known for her multi-award winning performance of the one-woman play, The Amish Project (Off Broadway and US Tour). Katherine was highlighted as a feature playwright at Clutch Productions in NY for her suffragist musical, Nineteen. She has written and composed the plays/musicals Shakespeare’s Lovers, Nineteen, Mann’s Last Dance, Echoes, Idiot Servant, Thumbelina, The Little Match Girl, Pippi Longstocking, The Storybook Nutcracker and The Enchanted Toy Shop. She has written and directed the films The Crimson Cloak, Living Losing Loving and the documentary film, Pay Attention. She is the owner and artistic director of Tree Fort Productions: treefortproductions.com
Paul Donnelly (playwright) My life as a “trailing spouse” has included stops in Washington DC, Atlanta, Honolulu, and now Tallahassee. My work has won the Source Theatre Company National 10-Minute Play Contest, the Larry Neal Writers Award for Drama, the Virginia Playwriting Prize, and twice been nominated for a Helen Hayes Award. My ten-minute play, The New Client, was published in Best Ten Minute Plays of 2019 (Smith & Kraus). My full-length play, Memorial Day, was read in Kumu Kahua Theatre’s Dark Nights series in Honolulu, named a Finalist (one of eight out of 1,243 entries) in the first Moss and Kitty Carlisle Hart New Play Initiative, and presented in the 2021 Unexpected Play Festival co-produced by Atlanta’s Theatrical Outfit and Working Title Playwrights. I am a member of the Dramatists Guild, New Play Exchange, Playwrights Center, and Working Title Playwrights. More of my work can be found on the New Play Exchange.
by Bruce Karp
A mother comes to terms with the death of her son in a mass shooting at a gay bar. The mother did not know her son was gay.
Director: Lee Gundersheimer
Kate — Jill Schroeder
Britany — Ciana Noelle-Bostock
Aaron — Joseph Klens
Brady — Aaron Schroeder
Jill Schroeder (Kate) — Over the past year, Jill has been fortunate enough to discover the joy of reading and performing new works. She worked for many years on regional stages in the Midwest and has been seen most recently at The Players Theatre, Venice Theatre, and Lemon Bay Playhouse. She is thrilled to have this opportunity to work with Theatre Odyssey and share the stage with her son, Aaron!
Ciana Noelle-Bostock (Britany) is so grateful to be working with Theater Odyssey in 15 Seconds. She attends Booker High School as a sophomore in the Theatre and AICE program. She is also a proud company member at Treefort Productions. “Lots of love and thanks to all the friends and family that support me!”
Joseph Klens (Aaron) is locally born and raised and a graduate from Rollins College in Winter Park where he studied first saxophone performance, expanded his skillset to include voice and other woodwinds, then shifted focus to music composition and creative writing. While at Rollins he joined Phi Mu Alpha Sinfonia. He worked crew at Venice Theatre’s production of Xanadu and has been on the stage performing in some way most of his life.
Aaron Schroeder (Brady) is a sophomore at Pine View High School. He has worked backstage and on the rail at Venice Theatre and Lemon Bay Playhouse over the course of five shows, and has participated in multiple play readings over Zoom. This is both his first time with Theatre Odyssey and performing live on stage.
Lee Gundersheimer (director) is a graduate of the BFA program in Theatre at Florida State and received his Actor’s Equity Card as one of the original apprentices at the Burt Reynolds Dinner Theatre in Jupiter. Based in New York City for many years, he built his first theater on the upper west side, Avalon Rep, before he was thirty. He then helped plan, build, and was the Producing Director of the Century Center for the Performing Arts in Union Square, where two Pulitzer Prize winning plays had their off-Broadway commercial runs. All the while working professionally, Lee taught academically in multiple universities, and for ten years was the Industry Liaison for the Tisch School of the Arts at New York University. His work brought him to the Midwest in 2010, and while directing, performing, and teaching at the University of Minnesota was hired to be the Managing Director of the Great River Shakespeare Festival in Winona. Lee has run multiple new play workshops, and his plays have been performed in New York City and regionally. His second full-length play, Pas De Deux, won the New American Play Festival on Theatre Row. Since moving to Florida, Lee has directed and performed at Tree Fort Productions, Manatee Center For The Performing Arts, Theatre Odyssey, and the Players.
Bruce Karp (playwright) grew up in New York City, now lives in South Florida and Northern New Jersey. He has written numerous short plays, which have been performed at theater festivals in several US states, Canada, and India. His full-length plays have had staged readings in Florida and Michigan. Recent credits: Clear Blue Sky, a full-length play, filmed and streamed by The Heights Players, Brooklyn, NY; The Short and Short of It, an evening of his short plays, performed at Sandrell Rivers Theater, Miami; Upcoming: Angels and Pastrami (Sauk Shorts, Jonesville, MI); Back to the Suture (Carolina Arbors Community Theater, Durham, NC). Recent short plays performed include: Fronds With Benefits, Holly (podcast), Win for Life. Bruce is a Member of the Dramatists’ Guild and the New Play Exchange, and is honored to have been selected to participate in the 2022 Kennedy Center Summer Playwriting Intensive.
by Michelle Pascua
Ben is preparing for a lecture on memory and healing. As he practices his speech, the story unfolds of his forgetfulness, his wife’s illness, and his son’s grief.
Director: Katherine Michelle Tanner
Ben — Lee Gundersheimer
Gil — Stephen-Paul Dieter
Patty — Donna DeFant
Lee Gundersheimer (Ben) is a graduate of the BFA program in Theatre at Florida State and received his Actor’s Equity Card as one of the original apprentices at the Burt Reynolds Dinner Theatre in Jupiter where he performed with Sally Field, Burt Reynolds, Martin Sheen, Carol Burnett, and fellow apprentice Ann Morrison. He was based in New York City for many years, was a scholarship student in Uta Hagen’s master acting class, and is a member of the Actor’s Studio. Lee built and ran two theatres in Manhattan, and favorite roles included Rutherford Selig in Joe Turner’s Come and Gone, Ken in Fifth of July, Boo Radley in …Mockingbird, and the Jealous Husband in the one man: Jealous Husband Returns in the Form of a Parrot. He made his off-Broadway debut as a New York Knick, a Jewish mother, and other roles in Deb Margolin’s Three Seconds In the Key, which he also staged and which featured an up-and-coming Chadwick Boseman.
Stephen-Paul Dieter (Gil) — This is Stephen’s second Theatre Odyssey production, having played Brendan Doyle in The Death of Brendan Doyle. He is delighted to be making a return, and hopes that his performance allows the audience to look at the world just that little bit differently.
Donna DeFant (Patty) is a Theatre Odyssey Board Member since 2013 and has been a stage manager backstage and has been onstage for this company for more than a decade; most recently as the Queen of Athens in the runner-up winning student play, The Game of Gifts. Donna represents the Theatre Odyssey Student Playwriting Festival monthly with the Sarasota County Arts Education Partnership, a standing committee of the Arts and Cultural Alliance of Sarasota County.
Katherine Michelle Tanner (director) is an actor, playwright, singer, director, filmmaker, choreographer, photographer and teaching artist. She is best known for her multi-award winning performance of the one-woman play, The Amish Project (Off Broadway and US Tour). Katherine was highlighted as a feature playwright at Clutch Productions in NY for her suffragist musical, Nineteen. She has written and composed the plays/musicals Shakespeare’s Lovers, Nineteen, Mann’s Last Dance, Echoes, Idiot Servant, Thumbelina, The Little Match Girl, Pippi Longstocking, The Storybook Nutcracker and The Enchanted Toy Shop. She has written and directed the films The Crimson Cloak, Living Losing Loving and the documentary film, Pay Attention. She is the owner and artistic director of Tree Fort Productions: treefortproductions.com
Michelle Pascua (playwright) is a New York City native and currently resides in Celebration, Florida. She received her BA in Art and English from the University of Massachusetts. A storyteller by nature, she draws inspiration from the eclectic jobs and the different places she’s lived. From fortune teller to freelance writer, from the Philippines to Maine, her offbeat path is reflected in whatever she creates. Michelle thrives on murder mysteries, The Great British Bake Off, and trips to Disney World with her husband and son. She believes dark chocolate mousse cake serves as a gateway to enlightenment.
by John J. Kelly
Jeff’s daughter Lise has asked him to bring her to a lake she and he had visited with her recently deceased mother..
Director: Travis Ray
Jeff — Michael Kinsey
Lise —Amber Myers
Michael Kinsey (Jeff) is a professional portrait and headshot photographer. His award-winning photography has been featured in Rolling Stone Magazine, Sarasota Magazine, Dartmouth Alumni Magazine, and other publications. Michael started his theater journey working with Nate Jacobs at WBTT’s inception as a founding member in 1994. Being a featured performer, every season, through its first 13 years, Michael has appeared in more than 20 Westcoast Black Theater Troupe productions, including its recent production of Dreamgirls. Michael has also worked with Sarasota’s Asolo Theatre, Florida Studio, and the Urbanite Theatre. Moving forward, Michael plans to achieve his goal of producing projects for film and television.
Amber Myers (Lise) is a Sarasota/Bradenton native and no stranger to the stage. The 28-year-old actress/singer was bitten by the stage bug at five years old. She received training from Nate Jacobs, Florida Studio Theater, Westcoast Black Theatre Troupe, and State College of Florida. She was recently one of four featured artists for the Sarasota Pops Orchestra concert, “Spirit of America”. Her passion is musical theater.
Travis Ray (director) is thrilled to direct for the first time at Theatre Odyssey. He recently served as Assistant Director on Flyin’ West under Chuck Smith at Westcoast Black Theatre Troupe. His other director credits include: Skeleton Crew (reading), Crumbs for the Table of Joy (reading), Lil & Louis (reading) and Yellowman (reading). Ray recently taught Acting 1 at New College of Florida. He holds an M.F.A in Theatre Management/Arts Administration from the University of Alabama, B.A. in Theatre Performance from Alabama State University, and is a proud member of Actors’ Equity Association. In addition, Ray owns Dapper Bowtique, an online bow tie and accessories business, www.dapperbowtique.com.
John J. Kelly (playwright) is a retired Emeritus Professor of Theatre Arts from Elmira College. After an almost 40 year career as a director/actor, he began writing plays – short plays – for his mostly female students who never were afforded enough opportunities to perform in the regular season. That was followed by longer, full-length plays written to be performed, again by students, for charitable causes in the region. His works have been published, anthologized, and performed by theatres across the country (including NYC, Chicago, DC, etc.) and around the world (UK, Canada, Germany, and the Netherlands). Since returning to Florida, his comedy Stoned was seen at Playwrights’ Round Table in Orlando, What I Got Nobody Wants and Sowers both played here at Theatre Odyssey, Gil and Bill was seen at Tampa’s LAB Laughs, and Zahma and A Reservation were performed by TAP Shorts in Ft. Lauderdale. Gra’: A Selkie Tale, a full-length Irish tale of loss and love, just completed its run at PRT in Orlando. Next up is the premiere of a new full-length play, The Neighborhood, later this Spring in Palm Beach.
by Bethany Dickens Assaf
One of the world’s top superhero leagues has a slot available. With lackluster male heroes and way over-qualified female heroes alike vying for a place among these elites, is there even the remotest chance for a married mom in her 30s? Or is there another, better way to save the world?
Director: Lee Gundersheimer
Clara — Victoria Flounders
Fiona — Jill Schroeder
Jamie — Julee Breehne
Kirby — Lindsey Nickel
Victoria Flounders (Clara) is thrilled to perform in the Theatre Odyssey Ten-Minute Play Festival. Her recent credits include Ariel (We All Fall Down), Dr. Watson (Miss Holmes), Jamie (Athena), and Peter Pan (Peter/Wendy). Victoria also worked as the SM (Flyin’ West) and ASM (Black Nativity) at WBTT. She grew up in Cherry Hill, NJ, and is a proud mother of three. Victoria studied theatre and graduated with honors from State College of Florida, and she is continuing her educational journey at New College of Florida.
Jill Schroeder (Fiona) — Over the past year, Jill has been fortunate enough to discover the joy of reading and performing new works. She worked for many years on regional stages in the Midwest and has been seen most recently at The Players Theatre, Venice Theatre, and Lemon Bay Playhouse. She is thrilled to have this opportunity to work with Theatre Odyssey and share the stage with her son, Aaron!
Julee Breehne (Jamie) plays dress up with her Theatre Odyssey friends every chance she has the privilege, most recently appearing in Blood and Tea in the Student Ten-Minute Playwriting Festival. She’d like to thank her current cast members and director for welcoming her into the squad. She also thanks her family for playing a supporting role so she can take center stage occasionally. She’d like to dedicate this performance to Florida teachers. Real superheroes!
Lindsey Nickel (Kirby) is a 30-year stage veteran who loves supporting new work by performing with Theatre Odyssey. Her superpower is storytelling and she is thrilled to bring the powerful messages of empowerment and collaboration to life through A Squad of Their Own. Like Kirby, she loves working with new people and can’t thank Lee and her fellow Squad members for creating such a fabulous experience! I tip my hat to all my fellow actors for your amazing performances.
Lee Gundersheimer (director) is a graduate of the BFA program in Theatre at Florida State and received his Actor’s Equity Card as one of the original apprentices at the Burt Reynolds Dinner Theatre in Jupiter. Based in New York City for many years, he built his first theater on the upper west side, Avalon Rep, before he was thirty. He then helped plan, build, and was the Producing Director of the Century Center for the Performing Arts in Union Square, where two Pulitzer Prize winning plays had their off-Broadway commercial runs. All the while working professionally, Lee taught academically in multiple universities, and for ten years was the Industry Liaison for the Tisch School of the Arts at New York University. His work brought him to the Midwest in 2010, and while directing, performing, and teaching at the University of Minnesota was hired to be the Managing Director of the Great River Shakespeare Festival in Winona. Lee has run multiple new play workshops, and his plays have been performed in New York City and regionally. His second full-length play, Pas De Deux, won the New American Play Festival on Theatre Row. Since moving to Florida, Lee has directed and performed at Tree Fort Productions, Manatee Center For The Performing Arts, Theatre Odyssey, and the Players.
Bethany Dickens Assaf (playwright) is a freelance playwright, dramaturg, and theatre artist, and the co-founder of Whiskey Theatre Factory in Orlando, Florida. Almost 100 of her plays have been performed or read across the country including her twisty sci-fi play, The Consciousness, which was performed at 10 fringe festivals across the country and won Best Play at the Tampa Bay Theatre Festival.
by Elan Garonzik
On learning she’ll spend eternity with the appearance of an 81-year-old woman, Lilly begs Saint Peter by to have a younger age and look. When he finally agrees she can be any age she wants, Lilly asks for something surprisingly different.
Director: Travis Ray
Saint Peter — Michael Kinsey
Lilly —Lynda StJames
Michael Kinsey (Saint Peter) is a professional portrait and headshot photographer. His award-winning photography has been featured in Rolling Stone Magazine, Sarasota Magazine, Dartmouth Alumni Magazine, and other publications. Michael started his theater journey working with Nate Jacobs at WBTT’s inception as a founding member in 1994. Being a featured performer, every season, through its first 13 years, Michael has appeared in more than 20 Westcoast Black Theater Troupe productions, including its recent production of Dreamgirls. Michael has also worked with Sarasota’s Asolo Theatre, Florida Studio, and the Urbanite Theatre. Moving forward, Michael plans to achieve his goal of producing projects for film and television.
Lynda StJames (Lilly) hails from Massachusetts where she got her BS/MS in Theater Education at Emerson College. Lynda spent several years in Los Angeles where she toured with the Andy Williams GoodTime Singers, performed in many stage productions and appeared in TV shows The Waltons and Eight is Enough. Lynda returned to Massachusetts to finish her graduate degree and teach middle and high school drama. She produced and directed several award-winning student plays and co-directed the Emerson College Summer Theater for teens. After running her own model and talent agency, the Cameo Agency, for 20+ years, Lynda retired to Sarasota and got involved in the local theatre scene. She’s been in productions at Theatre Odyssey, MPAC, Venice Theatre, The Players, and recently the Sarasota Jewish Theatre. She is very excited to return to Theatre Odyssey for the ten-minute plays.
Travis Ray (director) is thrilled to direct for the first time at Theatre Odyssey. He recently served as Assistant Director on Flyin’ West under Chuck Smith at Westcoast Black Theatre Troupe. His other director credits include: Skeleton Crew (reading), Crumbs for the Table of Joy (reading), Lil & Louis (reading) and Yellowman (reading). Ray recently taught Acting 1 at New College of Florida. He holds an M.F.A in Theatre Management/Arts Administration from the University of Alabama, B.A. in Theatre Performance from Alabama State University, and is a proud member of Actors’ Equity Association. In addition, Ray owns Dapper Bowtique, an online bow tie and accessories business, www.dapperbowtique.com.
Elan David Garonzik (playwright) is the author of Scenes and Revelations, produced at the Goodman Theater in Chicago, off Broadway at The Production Company, and on Broadway at Circle in the Square, with numerous regional and academic productions – during 2022 it was produced by NYU’s Tisch School of Drama. His play The Blue Mercedes was produced at Actors Theater of Saint Paul, and his comedy Adulation won both Audience Favorite and Best Play at the Theater Project’s festival in New Jersey. His new drama focuses on the passionate and tragic life of Adèle Hugo, Victor Hugo’s youngest daughter. This script has been shortlisted for development and production during the 2023-2024 season by two theatre groups, one in LA and one in London. Elan is the recipient of a Shubert Fellowship and the Marc Klein, Audrey Wood, and New Words of Merit playwriting awards, and holds an MFA in Theatre from Carnegie-Mellon University. Long a New Yorker and now in the Fort Lauderdale area, Elan is a member of the Dramatists Guild, the Playwrights Center and the New Play Exchange.
by Elaina Bayard
Saint Stephen’s Episcopal School
An inventor learns that the success of his time travel experiments may not result in the outcome he had hoped for.
Director: Leona Collesano
The Inventor — Eric Henry
The Man — Mike DeMaio
The Agent — Glenn Schudel
Eric Henry (The Inventor) has been a community-theater set designer, master carpenter and on-stage performer for nearly two decades. On-stage roles have ranged from Shakespeare to Stoppard; recent credits include Arsenic and Old Lace, The Diary of Anne Frank, Dial M for Murder and The Miracle Worker.
Mike DeMaio (The Man) is excited to return to the theater odyssey stage for the third time. Happy Mother’s Day to all the mothers this weekend.
Glenn Schudel (The Agent) has spent more than twenty years in professional and educational theatre, most notably as assistant director and troupe manager with the American Shakespeare Center. He currently teaches Creative Writing at Ringling College of Art and Design. Last summer, he appeared in Greg Burdick’s Sign Here for All that Remains and Connie Schindewolf’s Ancestry in Theatre Odyssey’s Ten-Minute Play Festival. In 2019, his one-man show Asides; or, My life with Will won Outstanding Premiere at the Sarasolo Festival.
Leona Collesano (director) is thrilled to be directing again for Theatre Odyssey. Leona has directed many plays and musicals including: You Can’t Take It with You, Tony and Tina’s Wedding, Theatre Odyssey Ten-Minute Festival. In addition to directing, she has been seen on stage (and backstage) performing throughout Sarasota and Manatee Counties. Wishing the best to Theater Odyssey on this year’s festival!
Elaina Bayard (playwright) is a senior at Saint Stephen’s Episcopal School. Her play, A Matter of Time, was named Best Play in this year’s Student Ten-Minute Playwriting Festival. Her first play, Fermatta, won Runner-Up in the 2021 festival and A Beginner’s Guide to Necromancy was a finalist in her junior year. When she is not busy writing or daydreaming, she enjoys reading, swimming, and playing piano.
Festival Production Manager — Lee Gundersheimer
Production Coordinator / Stage Manager — Donna DeFant
Performance Stage Manager — Priscilla Boyd
Lights — Chris McVicker
Sound — Ren Pearson
Backstage Crew — Preston Boyd, Avery Cole, Kennedy Cole, Liam DeMaio
SPECIAL THANKS
The Honorable George Spoll
Theatre on the Green, Inc.
Kompose Hotel Sarasota
The Players Centre for Performing Arts
The Center for Arts & Humanity
Bat City Comic Professionals
ADJUDICATORS
Gabe Ortiz is a proud husband, father of three, a solo theatre artist, an actor, a playwright, a television host on PBS/WEDU Arts Plus, co-founder & vice principal of Oasis Middle School, and the Founder of the Take Theatre Ensemble—a theatre group for inner-city youth. As a proud member of the Actors’ Equity Association, he has been seen on local and national stages over the past 25 years. He also has 20 years of teaching and administrative experience working with “disadvantaged” youth, English Language Learners and students with special needs. He is an Independent Literacy Consultant and leads professional learning workshops for school districts and educators across the country on how to effectively implement responsive literacy practices in an inclusive classroom. Gabe is the 2022 recipient of the Governor Ron DeSantis Hispanic Heritage Award for Excellence in Education and Sarasota Magazine’s Unity Award for 2020. He holds a BA from Cal State Northridge and an MFA from Penn State University.
Blake Walton — An award-winning actor, director, playwright, and teacher, Blake has directed seven plays for Theatre Odyssey and is honored to now take a seat as adjudicator. He studied acting with legend Sandy Meisner and Bill Esper at the Neighborhood Playhouse School in New York and then played Mark in the original, now historic, production of Doric Wilson’s The West Street Gang and in a dozen other original productions Off Broadway. In Sarasota he helped develop FST’s first “Write-A-Play” workshop for middle and high schools, and the original Players Performing Arts School where he was Director of Acting and Musical Theater. Locally as a professional actor he has appeared in award-winning performances at Florida Studio Theater, Theater Works, The Golden Apple, and The Players (as a Guest Artist), plus at several Tampa Bay area theaters. He garnered “Best Premiere” Awards for performing Leading Men (2013) and Trevor’s Fire (2012) in the United Solo Festival in NYC. Directing credits include many large musicals and plays including his The Better Man in two productions in New York, his play Out of My Mind and Huck Walton’s musical The Charm both at The Theater Building in Chicago; many solo plays including Linda Lovely Goes to Broadway, Mann’s Last Dance, and Rhapsody For Golda. He is Co-founder and Managing Director of SaraSolo Productions. www.blakewalton.info
Gary Garrison—From 2007-2017, Gary was the Executive Director of the Dramatist Guild of America. Prior to his work at the Guild, Garrison filled the posts of Associate Chair, Artistic Director and Master Teacher of Playwriting in the Goldberg Department of Dramatic Writing at NYU’s Tisch School of the Arts, where he produced over forty-five different festivals of new work, collaborating with hundreds of playwrights, directors and actors. Garrison’s plays have been commissioned by or featured at the Kennedy Center for the Performing Arts, City Theatre of Miami, Boston Theatre Marathon, Primary Stages, The Directors Company, Manhattan Theatre Source, StageWorks, Open Door Theatre, Pulse Ensemble Theatre, Expanded Arts and New York Rep. His work as guest artist or master teacher of playwriting involves such institutions as the Convivio Writer’s Conference (Postignano, Italy) Sewanee Writers’ Conference, The Kennedy Center Summer Playwriting Intensive, CityWrights of Miami, Baltimore Playwrights Festival, Last Frontier Theatre Conference, Southeast Theatre Conference, Alaska World Arts Festival. He is the author of the critically acclaimed, The Playwright’s Survival Guide: Keeping the Drama in Your Work and Out of Your Life, Perfect Ten: Writing and Producing the Ten‑Minute Play, and A More Perfect Ten. In April of 2014, The Kennedy Center instituted the National Gary Garrison Ten-Minute Play Award given to the best ten-minute play written by a university dramatist. In July of this year, he was featured in American Theatre magazine’s The Subtext podcast with Brian James Polk under the title, More Than Ten Minutes with Gary Garrison. www.garygarrison.com
Carolyn Michel just completed a sold out run of a one woman play Family Secrets at Sarasota Jewish Theatre. Carolyn won Best Actress in the film Katia at the Oniros Film Festival, Italy, and was nominated for the same film at the New Vision Film Festival in Amsterdam, Netherlands. Carolyn performed with Sid Caesar on Broadway and on tour; major performances in Regional Theaters across the country, and 24 seasons on the Asolo Repertory Theatre stage. Asolo favorite roles include leads in: Other Desert Cities; Broadway Bound; The Corn is Green; Morningstar; Hobson’s Choice; Tale of the Allergist’s Wife; The Last Night of Ballyhoo; Sisters Rosensweig. At Florida Studio Theatre: Four other one-woman performances: Ann Landers in The Lady With All The Answers; Rose; Dorothy Parker: One Foot in Scarsdale; Search for Signs of Intelligent Life in the Universe. Carolyn has been part of FST New Play Festival for many years. At WBTT: Daisy in Driving Miss Daisy. Carolyn has many directing credits as well. A tireless fundraiser, her efforts on behalf of Community AIDS Network have netted over $1,000,000 and she has helmed benefits for Sarasota Jewish Federation, American Jewish Committee, the Sarasota Arts Alliance, Planned Parenthood, SPARCC, and Designing Women Boutique. Of all of her accomplishments, the most rewarding one is her loving marriage to her favorite guy and soul mate, Producer/Director, Howard Millman!
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320 minutes of insightful, fanciful and comic flights of imagination—ready for you to experience again!
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TEN-MINUTE PLAY FESTIVAL
VOLUME FOUR: 2018-2021
Complete scripts for 33 new ten-minute plays, finalists at annual festivals produced by Theatre Odyssey, 2018-2021: Marvin Albert, Seva Anthony, Michael Bille, Dorothea Cahan, Monica Cross, Paul Donnelly, Cece Dwyer, Tony Gunn, Dan Higgs, Kea Kamiya, John J. Kelly, Arthur Keyser, Frank Motz, Marj O’Neill-Butler, Spencer Opal-Levine, Michelle Pascua, Ken Preuss, Sylvia Reed, Arianna Rose, Connie Schindewolf, Fredric Sirasky, Mary Margaret Steber, Laurie Stoner, Luke Valadie, Jan Wallace, Robert Wanderman, Keith Whalen, Bernard Yanelli. Performance rights for these individually copyrighted works are available directly from the authors.
250 pages, 6”x9”
Hardcover: $24.95
Softcover: $19.95
ePub: $9.95